
Stage Makeup The Actor's Complete Guide to Today's Techniques and Materials
by Thudium, LauraBuy New
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Summary
Author Biography
Table of Contents
Prologue: Your Role | p. 8 |
Introduction | p. 9 |
Getting to Know Your Face | p. 10 |
Facial Shape, Features, and Qualities | p. 11 |
Effects of Light and Shadow | p. 13 |
Your Face Shape Schematic | p. 14 |
Exercise: Turning a Black-and-White Photo Into an Outline Drawing | p. 15 |
Supplies and "Picture Morgue" Reference File | p. 18 |
Basic Stage Makeup Kit | p. 20 |
Constructing Your "Picture Morgue" Reference File | p. 25 |
Applying Foundation and Caring for Your Skin | p. 26 |
Apply Foundation Lightly | p. 27 |
Makeup Removal and Skin Cleansing | p. 29 |
Highlighting and Shadowing | p. 30 |
Creating Illusions with Highlights and Shadows | p. 31 |
Exercise: Toning the Face Shape Schematic | p. 32 |
Exercise: Highlight Applications | p. 34 |
Exercise: Shadow Applications | p. 36 |
Exercise: Practicing Brush Techniques | p. 38 |
Exercise: Practicing Sponge Techniques | p. 39 |
Corrective Makeup | p. 40 |
Problem Areas | p. 42 |
Studying Corrected Problems | p. 46 |
Age Makeup | p. 48 |
Aging Process | p. 50 |
Designing Age Makeup on Paper | p. 52 |
Exercise: Applying Age Highlighting | p. 54 |
Exercise: Applying Age Shadowing | p. 57 |
Adding Character Traits | p. 60 |
Exercise: Aging Hands | p. 62 |
Liquid Latex Wrinkles | p. 64 |
Exercise: Applying Liquid Latex | p. 64 |
Facial Stoutness and Slimness | p. 66 |
Exaggerating or Minimizing Facial Traits | p. 67 |
Exercise: Portraying Facial Stoutness or Slimness | p. 68 |
Wounds, Scars, and Burns | p. 74 |
Materials for Simulating Damaged Skin | p. 75 |
Exercise: Building a Swollen and Bloody Bruise | p. 76 |
Exercise: Creating Scars | p. 78 |
Exercise: Fabricating Burned Skin | p. 79 |
Period Makeup | p. 80 |
Building Your Repertory of Makeup Styles | p. 82 |
Classical Greek | p. 83 |
Renaissance | p. 84 |
Elizabethan | p. 86 |
Restoration and Eighteenth Century | p. 88 |
Edwardian | p. 90 |
Jazz Age | p. 92 |
Stylization | p. 94 |
Simplify and Exaggerate | p. 95 |
Exercise: Sumatran Tiger | p. 97 |
Many Animals Inspire Sylization | p. 100 |
Students' Animal Makeup Designs | p. 102 |
Translating Schematics into Makeup | p. 108 |
Fantasy Makeup | p. 114 |
Selecting a Fantasy Theme | p. 116 |
Gender Reversal | p. 124 |
Analyzing Male and Female Features | p. 125 |
Exercise: Making a Male Look Female | p. 126 |
Exercise: Making a Female Look Male | p. 129 |
Facial Hair, Hairpieces, and Wigs | p. 132 |
Using Crepe Wool for Facial Hair | p. 133 |
Exercise: Applying a Mustache | p. 134 |
Exercise: Applying a Beard | p. 138 |
Hairpiece Enhancements | p. 140 |
Exercise: Adding a Fall | p. 140 |
Exercise: Putting on a Woman's Wig | p. 142 |
Exercise: Putting on a Man's Wig | p. 144 |
Making a Life Mask | p. 146 |
Preparation and Materials Needed | p. 147 |
Exercise: Creating the Mask | p. 147 |
Color Mixing Chart, Foundation | p. 152 |
Color Mixing Chart, Cream Liners | p. 154 |
Suppliers | p. 156 |
Recommended Reading | p. 157 |
Index | p. 158 |
Table of Contents provided by Syndetics. All Rights Reserved. |
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