| Preface to the Shorter Fifth Edition |
|
xli | |
| Editorial Procedures |
|
xliii | |
| Acknowledgments |
|
xlv | |
|
|
|
1 | (1) |
|
|
|
|
|
2 | (9) |
|
|
|
|
|
10 | (1) |
|
|
|
(``I am a lonely being, scarred by swords'') |
|
|
10 | (1) |
|
(``My dress is silent when I tread the ground'') |
|
|
10 | (1) |
|
(``A moth ate words; a marvellous event'') |
|
|
11 | (1) |
|
|
|
11 | (4) |
|
|
|
Anonymous Lyrics of the Thirteenth and Fourteenth Centuries |
|
|
14 | (1) |
|
|
|
14 | (1) |
|
|
|
14 | (1) |
|
|
|
15 | (1) |
|
|
|
15 | (1) |
|
Geoffrey Chaucer (ca. 1343--1400) |
|
|
15 | (50) |
|
|
|
15 | (48) |
|
|
|
15 | (20) |
|
The Wife of Bath's Prologue and Tale |
|
|
35 | (28) |
|
|
|
63 | (1) |
|
|
|
63 | (1) |
|
Lyrics and Occasional Verse |
|
|
64 | (1) |
|
|
|
64 | (1) |
|
|
|
65 | (1) |
|
William Langland (ca. 1330--ca. 1400) |
|
|
65 | (4) |
|
Piers Plowman, lines 1--111 |
|
|
65 | (4) |
|
|
|
69 | (7) |
|
Anonymous Lyrics of the Fifteenth Century |
|
|
72 | (1) |
|
|
|
72 | (1) |
|
|
|
72 | (1) |
|
|
|
73 | (1) |
|
|
|
74 | (1) |
|
|
|
75 | (1) |
|
|
|
76 | (1) |
|
The Sacrament of the Altar |
|
|
76 | (1) |
|
|
|
76 | (1) |
|
William Dunbar (ca. 1460--ca. 1525) |
|
|
76 | (5) |
|
|
|
76 | (3) |
|
|
|
79 | (2) |
|
John Skelton (1460--1529) |
|
|
81 | (21) |
|
Mannerly Margery Milk and Ale |
|
|
81 | (1) |
|
To Mistress Margaret Hussey |
|
|
82 | (1) |
|
|
|
83 | (3) |
|
|
|
86 | (1) |
|
|
|
86 | (3) |
|
|
|
89 | (1) |
|
|
|
90 | (1) |
|
|
|
91 | (1) |
|
|
|
92 | (1) |
|
|
|
93 | (2) |
|
|
|
95 | (2) |
|
|
|
97 | (1) |
|
Anonymous Elizabethan and Jacobean Poems |
|
|
98 | (1) |
|
Weep You No More, Sad Fountains |
|
|
98 | (1) |
|
There Is a Lady Sweet and Kind |
|
|
99 | (1) |
|
|
|
100 | (2) |
|
Thomas Wyatt (1503--1542) |
|
|
102 | (6) |
|
The Long Love, That in My Thought Doth Harbor |
|
|
102 | (1) |
|
|
|
103 | (1) |
|
|
|
103 | (1) |
|
|
|
104 | (1) |
|
Patience, Though I Have Not |
|
|
104 | (1) |
|
|
|
105 | (1) |
|
|
|
106 | (1) |
|
|
|
107 | (1) |
|
|
|
107 | (1) |
|
Henry Howard, Earl of Surrey (ca. 1517--1547) |
|
|
108 | (2) |
|
|
|
108 | (1) |
|
Love, That Doth Reign and Live within My Thought |
|
|
108 | (1) |
|
|
|
109 | (1) |
|
|
|
110 | (1) |
|
The Ballad Which Anne Askewe Made and Sang When She Was in Newgate |
|
|
110 | (1) |
|
Queen Elizabeth I (1533--1603) |
|
|
111 | (2) |
|
When I Was Fair and Young |
|
|
111 | (1) |
|
[The Doubt of Future Foes Exiles My Present Joy] |
|
|
112 | (1) |
|
[Ah Silly Pug, Wert Thou So Sore Afraid] |
|
|
112 | (1) |
|
George Gascoigne (ca. 1534--1577) |
|
|
113 | (2) |
|
|
|
113 | (1) |
|
|
|
114 | (1) |
|
Isabella Whitney (fl. 1567--1573) |
|
|
115 | (5) |
|
|
|
115 | (5) |
|
A Communication Which the Author Had to London, Before She Made Her Will |
|
|
115 | (1) |
|
From The Manner of Her Will, & What She Left to London, and to All Those in It, at Her Departing |
|
|
116 | (4) |
|
Chidiock Tichborne (d. 1586) |
|
|
120 | (1) |
|
[My Prime of Youth Is but a Frost of Cares] |
|
|
120 | (1) |
|
Sir Walter Ralegh (ca. 1552--1618) |
|
|
120 | (5) |
|
A Vision upon the Fairy Queen |
|
|
120 | (1) |
|
The Nymph's Reply to the Shepherd |
|
|
121 | (1) |
|
|
|
122 | (2) |
|
[Fortune Hath Taken Thee Away, My Love] |
|
|
124 | (1) |
|
Edmund Spenser (1552--1599) |
|
|
125 | (28) |
|
|
|
125 | (14) |
|
|
|
125 | (14) |
|
|
|
139 | (4) |
|
Sonnet 15 (``Ye tradefull Merchants that with weary toyle'') |
|
|
139 | (1) |
|
Sonnet 23 (``Penelope for her Ulisses sake'') |
|
|
140 | (1) |
|
Sonnet 54 (``Of this worlds Theatre in which we stay'') |
|
|
140 | (1) |
|
Sonnet 67 (``Lyke as a huntsman after weary chace'') |
|
|
141 | (1) |
|
Sonnet 70 (``Fresh spring the herald of loves mighty king'') |
|
|
141 | (1) |
|
Sonnet 71 (``I joy to see how in your drawen work'') |
|
|
141 | (1) |
|
Sonnet 75 (``One day I wrote her name upon the strand'') |
|
|
142 | (1) |
|
Sonnet 79 (``Men call you fayre, and you doe credit it'') |
|
|
142 | (1) |
|
|
|
143 | (10) |
|
|
|
153 | (1) |
|
|
|
153 | (1) |
|
Oh, For a Bowl of Fat Canary |
|
|
154 | (1) |
|
Sir Philip Sidney (1554--1586) |
|
|
154 | (8) |
|
|
|
154 | (3) |
|
|
|
157 | (1) |
|
|
|
157 | (5) |
|
1 (``Loving in truth, and fain in verse my love to show'') |
|
|
157 | (1) |
|
21 (``Your words my friend [right healthful caustics] blame'') |
|
|
158 | (1) |
|
31 (``With how sad steps, Oh Moon, thou climb'st the skies'') |
|
|
158 | (1) |
|
48 (``Soul's joy, bend not those morning stars from me'') |
|
|
159 | (1) |
|
49 (``I on my horse, and Love on me, doth try'') |
|
|
159 | (1) |
|
52 (``A strife is grown between Virtue and Love'') |
|
|
159 | (1) |
|
63 (``O Grammer rules, o now your virtues show'') |
|
|
160 | (1) |
|
71 (``Who will in fairest book of Nature know'') |
|
|
160 | (4) |
|
Seventh Song (``Whose senses in so evil consort, their stepdame Nature lays'') |
|
|
164 | |
|
90 (``Stella, think not that I by verse seek fame'') |
|
|
161 | (1) |
|
Robert Southwell (ca. 1561--1595) |
|
|
162 | (1) |
|
|
|
162 | (1) |
|
|
|
162 | (2) |
|
|
|
162 | (1) |
|
Psalm 114: In Exitu Israel |
|
|
163 | (1) |
|
Samuel Daniel (1563--1619) |
|
|
164 | (2) |
|
|
|
164 | (2) |
|
1 (``Unto the boundless Ocean of thy beauty'') |
|
|
164 | (1) |
|
2 (``Go wailing verse, the infants of my love'') |
|
|
164 | (1) |
|
6 (``Fair is my love, and cruel as she's fair'') |
|
|
165 | (1) |
|
49 (``Care-charmer Sleep, son of the sable Night'') |
|
|
165 | (1) |
|
50 (``Let others sing of knights and paladins'') |
|
|
166 | (1) |
|
Michael Drayton (1563--1631) |
|
|
166 | (2) |
|
|
|
166 | (2) |
|
To the Reader of these Sonnets |
|
|
166 | (1) |
|
6 (``How many paltry, foolish, painted things'') |
|
|
167 | (1) |
|
14 (``If he from heaven that filched that living fire'') |
|
|
167 | (1) |
|
61 (``Since there's no help, come let us kiss and part'') |
|
|
168 | (1) |
|
Christopher Marlowe (1564--1593) |
|
|
168 | (1) |
|
The Passionate Shepherd to His Love |
|
|
168 | (1) |
|
William Shakespeare (1564--1616) |
|
|
169 | (13) |
|
|
|
169 | (10) |
|
1 (``From fairest creatures we desire increase'') |
|
|
169 | (1) |
|
3 (``Look in thy glass and tell the face thou viewest'') |
|
|
169 | (1) |
|
12 (``When I do count the clock that tells the time'') |
|
|
170 | (1) |
|
15 (``When I consider everything that grows'') |
|
|
170 | (1) |
|
18 (``Shall I compare thee to a summer's day?'') |
|
|
171 | (1) |
|
20 (``A woman's face, with nature's own hand painted'') |
|
|
171 | (1) |
|
29 (``When, in disgrace with fortune and men's eyes'') |
|
|
171 | (1) |
|
30 (``When to the sessions of sweet silent thought'') |
|
|
172 | (1) |
|
55 (``Not marble, nor the gilded monuments'') |
|
|
172 | (1) |
|
65 (``Since brass, nor stone, nor earth, nor boundless sea'') |
|
|
173 | (1) |
|
71 (``No longer mourn for me when I am dead'') |
|
|
173 | (1) |
|
73 (``That time of year thou mayst in me behold'') |
|
|
173 | (1) |
|
87 (``Farewell, thou art too dear for my possessing'') |
|
|
174 | (1) |
|
94 (``They that have power to hurt and will do none'') |
|
|
174 | (1) |
|
97 (``How like a winter hath my absence been'') |
|
|
175 | (1) |
|
106 (``When in the chronicle of wasted time'') |
|
|
175 | (1) |
|
107 (``Not mine own fears, nor the prophetic soul'') |
|
|
175 | (1) |
|
116 (``Let me not to the marriage of true minds'') |
|
|
176 | (1) |
|
126 (``O thou, my lovely boy, who in thy pow'r'') |
|
|
176 | (1) |
|
129 (``Th' expense of spirit in a waste of shame'') |
|
|
177 | (1) |
|
130 (``My mistress' eyes are nothing like the sun'') |
|
|
177 | (1) |
|
138 (``When my love swears that she is made of truth'') |
|
|
177 | (1) |
|
144 (``Two loves have I of comfort and despair'') |
|
|
178 | (1) |
|
146 (``Poor soul, the center of my sinful earth'') |
|
|
178 | (1) |
|
The Phoenix and the Turtle |
|
|
179 | (2) |
|
|
|
181 | (1) |
|
Blow, Blow, Thou Winter Wind |
|
|
181 | (1) |
|
Fear No More the Heat o' the Sun |
|
|
181 | (1) |
|
|
|
182 | (1) |
|
Thomas Campion (1567--1620) |
|
|
182 | (3) |
|
|
|
182 | (1) |
|
I Care Not for These Ladies |
|
|
183 | (1) |
|
|
|
184 | (1) |
|
When to Her Lute Corinna Sings |
|
|
184 | (1) |
|
|
|
185 | (1) |
|
Thomas Nashe (1567--1601) |
|
|
185 | (2) |
|
|
|
185 | (2) |
|
[Spring, the Sweet Spring] |
|
|
185 | (1) |
|
[Adieu, Farewell, Earth's Bliss] |
|
|
186 | (1) |
|
Aemilia Lanyer (1569--1645) |
|
|
187 | (4) |
|
From Salve Deus Rex Judaeorum |
|
|
187 | (4) |
|
|
|
191 | (17) |
|
|
|
191 | (1) |
|
Song (``Go and catch a falling star'') |
|
|
192 | (1) |
|
|
|
192 | (1) |
|
|
|
193 | (1) |
|
|
|
194 | (1) |
|
Song (``Sweetest love, I do not go'') |
|
|
195 | (1) |
|
|
|
196 | (1) |
|
|
|
197 | (1) |
|
A Valediction Forbidding Mourning |
|
|
198 | (1) |
|
|
|
199 | (2) |
|
|
|
201 | (1) |
|
|
|
202 | (1) |
|
|
|
202 | (1) |
|
Elegy XIX. To His Mistress Going to Bed |
|
|
203 | (2) |
|
Good Friday, 1613, Riding Westward |
|
|
205 | (1) |
|
|
|
206 | (2) |
|
1 (``Thou hast made me, and shall thy work decay?'') |
|
|
206 | (1) |
|
5 (``I am a little world made cunningly'') |
|
|
206 | (1) |
|
7 (``At the round earth's imagined corners, blow'') |
|
|
207 | (1) |
|
10 (``Death, be not proud, though some have called thee'') |
|
|
207 | (1) |
|
14 (``Batter my heart, three-personed God; for You'') |
|
|
208 | (1) |
|
|
|
208 | (13) |
|
|
|
208 | (1) |
|
|
|
208 | (1) |
|
|
|
209 | (1) |
|
|
|
209 | (1) |
|
|
|
209 | (1) |
|
Inviting a Friend to Supper |
|
|
210 | (1) |
|
|
|
211 | (1) |
|
|
|
211 | (3) |
|
|
|
214 | (1) |
|
|
|
214 | (1) |
|
A Fit of Rhyme against Rhyme |
|
|
215 | (1) |
|
|
|
216 | (1) |
|
Though I Am Young and Cannot Tell |
|
|
217 | (1) |
|
To the Memory of My Beloved, the Author Mr. William Shakespeare |
|
|
217 | (2) |
|
A Sonnet to the Noble Lady, the Lady Mary Wroth |
|
|
219 | (1) |
|
|
|
220 | (1) |
|
|
|
220 | (1) |
|
|
|
221 | (4) |
|
Pamphilia to Amphilanthus |
|
|
221 | (4) |
|
1 (``When night's black mantle could most darkness prove'') |
|
|
221 | (1) |
|
3 (``Yet is there Hope: then Love but play thy part'') |
|
|
221 | (1) |
|
37 (``Night, welcome art thou to my mind distressed'') |
|
|
222 | (1) |
|
74 Song (``Love a child is ever crying'') |
|
|
222 | (1) |
|
A Crown of Sonnets Dedicated to Love |
|
|
223 | (1) |
|
77 (``In this strange labyrinth how shall I turn'') |
|
|
223 | (1) |
|
78 (``Is to leave all and take the thread of Love'') |
|
|
224 | (1) |
|
82 (``He may our prophet, and our tutor prove'') |
|
|
224 | (1) |
|
Robert Herrick (1591--1674) |
|
|
225 | (7) |
|
|
|
225 | (1) |
|
|
|
225 | (1) |
|
|
|
226 | (1) |
|
|
|
226 | (2) |
|
To the Virgins, to Make Much of Time |
|
|
228 | (1) |
|
|
|
228 | (1) |
|
|
|
229 | (1) |
|
|
|
229 | (1) |
|
|
|
229 | (1) |
|
|
|
230 | (1) |
|
|
|
230 | (1) |
|
The White Island, or Place of the Blest |
|
|
231 | (1) |
|
|
|
232 | (3) |
|
An Exequy to His Matchless, Never-to-Be-Forgotten Friend |
|
|
232 | (3) |
|
George Herbert (1593--1633) |
|
|
235 | (11) |
|
The Temple: Sacred Poems and Private Ejaculations |
|
|
235 | (11) |
|
|
|
235 | (1) |
|
|
|
235 | (1) |
|
|
|
236 | (1) |
|
|
|
237 | (1) |
|
|
|
238 | (1) |
|
|
|
239 | (1) |
|
|
|
240 | (1) |
|
|
|
240 | (1) |
|
|
|
241 | (1) |
|
|
|
242 | (1) |
|
|
|
243 | (1) |
|
|
|
243 | (2) |
|
|
|
245 | (1) |
|
|
|
246 | (1) |
|
Thomas Carew (ca. 1595--1640) |
|
|
246 | (5) |
|
A Song (``Ask me no more where Jove bestows'') |
|
|
246 | (1) |
|
Song. To My Inconstant Mistress |
|
|
247 | (1) |
|
An Elegy upon the Death of the Dean of Paul's, Dr. John Donne |
|
|
247 | (3) |
|
The Massachusetts Bay Psalm Book (1640) |
|
|
250 | (1) |
|
|
|
250 | (1) |
|
Edmund Waller (1606--1687) |
|
|
251 | (1) |
|
Song (``Go, lovely rose!'') |
|
|
251 | (1) |
|
|
|
252 | (29) |
|
On the Morning of Christ's Nativity |
|
|
252 | (8) |
|
|
|
260 | (1) |
|
|
|
260 | (4) |
|
|
|
264 | (4) |
|
|
|
268 | (1) |
|
|
|
269 | (5) |
|
|
|
274 | (1) |
|
Song (``Sweet Echo, sweetest nymph, that liv'st unseen'') |
|
|
274 | (1) |
|
When I Consider How My Light Is Spent |
|
|
274 | (1) |
|
On the Late Massacre in Piedmont |
|
|
275 | (1) |
|
|
|
275 | (1) |
|
|
|
276 | (5) |
|
|
|
276 | (1) |
|
|
|
277 | (1) |
|
From Book 4 [lines 1--113] |
|
|
278 | (3) |
|
Sir John Suckling (1609--1642) |
|
|
281 | (1) |
|
Song (``Why so pale and wan, fond lover?'') |
|
|
281 | (1) |
|
Sonnet II (``Of thee, kind boy, I ask no red and white'') |
|
|
281 | (1) |
|
|
|
282 | (1) |
|
Anne Bradstreet (ca. 1612--1672) |
|
|
282 | (6) |
|
|
|
282 | (1) |
|
Before the Birth of One of Her Children |
|
|
283 | (2) |
|
To My Dear and Loving Husband |
|
|
285 | (1) |
|
|
|
285 | (1) |
|
A Letter to Her Husband, Absent upon Public Employment |
|
|
286 | (1) |
|
Here Follows Some Verses upon the Burning of Our House July 10th, 1666 |
|
|
287 | (1) |
|
Richard Crashaw (1613--1649) |
|
|
288 | (1) |
|
|
|
288 | (1) |
|
Richard Lovelace (1618--1658) |
|
|
289 | (3) |
|
|
|
289 | (1) |
|
To Lucasta, Going to the Wars |
|
|
290 | (1) |
|
|
|
291 | (1) |
|
Andrew Marvell (1621--1678) |
|
|
292 | (6) |
|
|
|
292 | (1) |
|
|
|
293 | (1) |
|
|
|
294 | (1) |
|
The Mower against Gardens |
|
|
295 | (1) |
|
|
|
296 | (2) |
|
Henry Vaughan (1621--1695) |
|
|
298 | (4) |
|
|
|
298 | (1) |
|
They Are All Gone into the World of Light! |
|
|
299 | (2) |
|
|
|
301 | (1) |
|
Margaret Cavendish (1623--1673) |
|
|
302 | (1) |
|
An Apology for Writing So Much upon This Book |
|
|
302 | (1) |
|
Of Many Worlds in This World |
|
|
302 | (1) |
|
|
|
303 | (9) |
|
|
|
303 | (6) |
|
To the Memory of Mr. Oldham |
|
|
309 | (1) |
|
A Song for St. Cecilia's Day |
|
|
310 | (2) |
|
Katherine Philips (1632--1664) |
|
|
312 | (1) |
|
|
|
312 | (1) |
|
To My Excellent Lucasia, on Our Friendship |
|
|
312 | (1) |
|
Thomas Traherne (1637--1674) |
|
|
313 | (2) |
|
|
|
313 | (2) |
|
Edward Taylor (ca. 1642--1729) |
|
|
315 | (3) |
|
Meditation 8 (``I kenning through astronomy divine'') |
|
|
315 | (1) |
|
Upon a Spider Catching a Fly |
|
|
316 | (2) |
|
|
|
318 | (5) |
|
|
|
318 | (1) |
|
|
|
318 | (4) |
|
Song (``On Her Loving Two Equally'') |
|
|
322 | (1) |
|
To the Fair Clarinda, Who Made Love to Me, Imagined More Than Woman |
|
|
323 | (1) |
|
John Wilmot, Earl of Rochester (1647--1680) |
|
|
323 | (4) |
|
|
|
323 | (2) |
|
|
|
325 | (1) |
|
A Song of a Young Lady to Her Ancient Lover |
|
|
326 | (1) |
|
Anne Finch, Countess of Winchilsea (1661--1720) |
|
|
327 | (6) |
|
|
|
327 | (4) |
|
|
|
331 | (1) |
|
|
|
331 | (2) |
|
Jonathan Swift (1667--1745) |
|
|
333 | (20) |
|
A Description of a City Shower |
|
|
333 | (1) |
|
|
|
334 | (2) |
|
|
|
336 | (3) |
|
A Beautiful Young Nymph Going to Bed |
|
|
339 | (2) |
|
Verses on the Death of Dr. Swift, D.S.P.D. |
|
|
341 | (12) |
|
|
|
353 | (3) |
|
|
|
353 | (2) |
|
|
|
355 | (1) |
|
|
|
356 | (1) |
|
Songs from The Beggar's Opera |
|
|
356 | (1) |
|
Air X---``Thomas, I Cannot'' |
|
|
356 | (1) |
|
Air XI---``A Soldier and a Sailor'' |
|
|
356 | (1) |
|
Air XVI---``Over the Hills, and Far Away'' |
|
|
356 | (1) |
|
Air XXVII---``Green Sleeves'' |
|
|
357 | (1) |
|
Alexander Pope (1688--1744) |
|
|
357 | (33) |
|
|
|
357 | (18) |
|
|
|
375 | (1) |
|
An Essay on Man, in Four Epistles |
|
|
376 | (3) |
|
From Epistle 1 (lines 1--130) |
|
|
376 | (3) |
|
|
|
379 | (10) |
|
|
|
389 | (1) |
|
|
|
389 | (1) |
|
Lady Mary Wortley Montagu (1689--1762) |
|
|
390 | (4) |
|
|
|
390 | (2) |
|
|
|
392 | (1) |
|
A Receipt to Cure the Vapors |
|
|
393 | (1) |
|
James Thomson (1700--1748) |
|
|
394 | (3) |
|
|
|
394 | (3) |
|
From Winter (lines 223--358) |
|
|
394 | (3) |
|
Samuel Johnson (1709--1784) |
|
|
397 | (10) |
|
Prologue Spoken by Mr. Garrick |
|
|
397 | (2) |
|
The Vanity of Human Wishes |
|
|
399 | (8) |
|
|
|
407 | (7) |
|
Ode on a Distant Prospect of Eton College |
|
|
407 | (2) |
|
Ode (On the Death of a Favorite Cat, Drowned in a Tub of Goldfishes) |
|
|
409 | (1) |
|
Elegy Written in a Country Churchyard |
|
|
410 | (4) |
|
William Collins (1721--1759) |
|
|
414 | (3) |
|
Ode on the Poetical Character |
|
|
414 | (2) |
|
|
|
416 | (1) |
|
Christopher Smart (1722--1771) |
|
|
417 | (3) |
|
Jubilate Agno, lines 697--770 (``For I will consider my Cat Jeoffry'') |
|
|
417 | (2) |
|
|
|
419 | (1) |
|
|
|
420 | (1) |
|
The Flowers of the Forest |
|
|
420 | (1) |
|
Oliver Goldsmith (ca. 1730--1774) |
|
|
421 | (10) |
|
When Lovely Woman Stoops to Folly |
|
|
421 | (1) |
|
|
|
422 | (9) |
|
William Cowper (1731--1800) |
|
|
431 | (3) |
|
|
|
431 | (1) |
|
Light Shining out of Darkness |
|
|
431 | (1) |
|
|
|
431 | (2) |
|
Lines Written during a Period of Insanity |
|
|
433 | (1) |
|
Anna Laetitia Barbauld (1743--1825) |
|
|
434 | (2) |
|
|
|
434 | (1) |
|
|
|
435 | (1) |
|
|
|
435 | (1) |
|
Charlotte Smith (1749--1806) |
|
|
436 | (2) |
|
|
|
436 | (1) |
|
|
|
437 | (1) |
|
|
|
437 | (1) |
|
Phillis Wheatley (ca. 1753--1784) |
|
|
438 | (2) |
|
On Being Brought from Africa to America |
|
|
438 | (1) |
|
To S. M., a Young African Painter, on Seeing His Works |
|
|
439 | (1) |
|
William Blake (1757--1827) |
|
|
440 | (11) |
|
|
|
440 | (1) |
|
Song (``How sweet I roam'd from field to field'') |
|
|
440 | (1) |
|
|
|
440 | (1) |
|
|
|
441 | (3) |
|
Introduction (``Piping down the valleys wild'') |
|
|
441 | (1) |
|
|
|
441 | (1) |
|
|
|
442 | (1) |
|
|
|
442 | (1) |
|
|
|
443 | (1) |
|
|
|
444 | (4) |
|
Introduction (``Hear the voice of the Bard!'') |
|
|
444 | (1) |
|
|
|
444 | (1) |
|
|
|
445 | (1) |
|
|
|
445 | (1) |
|
|
|
446 | (1) |
|
|
|
446 | (1) |
|
|
|
446 | (1) |
|
|
|
447 | (1) |
|
|
|
447 | (1) |
|
|
|
448 | (1) |
|
|
|
448 | (2) |
|
|
|
448 | (1) |
|
Mock on, Mock on, Voltaire, Rousseau |
|
|
449 | (1) |
|
|
|
449 | (1) |
|
|
|
450 | (1) |
|
|
|
450 | (1) |
|
|
|
450 | (1) |
|
England! Awake! Awake! Awake! |
|
|
450 | (1) |
|
Robert Burns (1759--1796) |
|
|
451 | (5) |
|
|
|
451 | (1) |
|
|
|
452 | (1) |
|
|
|
453 | (2) |
|
|
|
455 | (1) |
|
|
|
456 | (1) |
|
William Wordsworth (1770--1850) |
|
|
456 | (30) |
|
|
|
456 | (1) |
|
|
|
457 | (1) |
|
Lines Composed a Few Miles above Tintern Abbey |
|
|
458 | (4) |
|
|
|
462 | (2) |
|
|
|
464 | (7) |
|
Book I, lines 301--647 (``Fair seedtime had my soul, and I grew up'') |
|
|
464 | (7) |
|
She Dwelt among the Untrodden Ways |
|
|
471 | (1) |
|
|
|
471 | (1) |
|
A Slumber Did My Spirit Seal |
|
|
472 | (1) |
|
Resolution and Independence |
|
|
473 | (3) |
|
It Is a Beauteous Evening |
|
|
476 | (1) |
|
|
|
477 | (1) |
|
Composed upon Westminster Bridge, September 3, 1802 |
|
|
477 | (1) |
|
Nuns Fret Not at Their Convent's Narrow Room |
|
|
478 | (1) |
|
|
|
478 | (1) |
|
Ode: Intimations of Immortality |
|
|
478 | (5) |
|
I Wandered Lonely as a Cloud |
|
|
483 | (1) |
|
The World Is Too Much with Us |
|
|
484 | (1) |
|
|
|
484 | (1) |
|
|
|
485 | (1) |
|
|
|
485 | (1) |
|
|
|
486 | (1) |
|
Samuel Taylor Coleridge (1772--1834) |
|
|
486 | (23) |
|
|
|
486 | (2) |
|
|
|
488 | (1) |
|
The Rime of the Ancient Mariner |
|
|
489 | (16) |
|
|
|
505 | (4) |
|
Walter Savage Landor (1775--1864) |
|
|
509 | (1) |
|
|
|
509 | (1) |
|
|
|
509 | (1) |
|
Dying Speech of an Old Philosopher |
|
|
509 | (1) |
|
George Gordon, Lord Byron (1788--1824) |
|
|
510 | (28) |
|
Written after Swimming from Sestos to Abydos |
|
|
510 | (1) |
|
|
|
510 | (1) |
|
|
|
511 | (1) |
|
So We'll Go No More A-Roving |
|
|
512 | (1) |
|
|
|
512 | (25) |
|
Fragment on the Back of the Ms. of Canto I |
|
|
512 | (1) |
|
Canto the First. Stanzas 1--119 |
|
|
513 | (24) |
|
On This Day I Complete My Thirty-sixth Year |
|
|
537 | (1) |
|
Percy Bysshe Shelley (1792--1822) |
|
|
538 | (26) |
|
Hymn to Intellectual Beauty |
|
|
538 | (3) |
|
|
|
541 | (1) |
|
Stanzas Written in Dejection, Near Naples |
|
|
541 | (1) |
|
|
|
542 | (1) |
|
|
|
543 | (2) |
|
|
|
545 | (2) |
|
|
|
547 | (3) |
|
|
|
550 | (13) |
|
|
|
563 | (1) |
|
|
|
563 | (1) |
|
|
|
564 | (2) |
|
|
|
564 | (1) |
|
|
|
565 | (1) |
|
|
|
566 | (1) |
|
Felicia Dorothea Hemans (1793--1835) |
|
|
566 | (1) |
|
|
|
566 | (1) |
|
|
|
567 | (21) |
|
On First Looking into Chapman's Homer |
|
|
567 | (1) |
|
On Sitting Down to Read King Lear Once Again |
|
|
568 | (1) |
|
|
|
568 | (1) |
|
|
|
569 | (1) |
|
|
|
569 | (10) |
|
|
|
579 | (1) |
|
|
|
579 | (2) |
|
|
|
581 | (1) |
|
|
|
582 | (2) |
|
|
|
584 | (1) |
|
|
|
585 | (2) |
|
|
|
587 | (1) |
|
|
|
588 | (1) |
|
|
|
588 | (1) |
|
Ralph Waldo Emerson (1803--1882) |
|
|
588 | (5) |
|
|
|
588 | (1) |
|
|
|
589 | (1) |
|
|
|
589 | (1) |
|
Ode (Inscribed to W. H. Channing) |
|
|
590 | (3) |
|
|
|
593 | (1) |
|
|
|
593 | (1) |
|
Elizabeth Barrett Browning (1806--1861) |
|
|
593 | (4) |
|
Sonnets from the Portuguese |
|
|
593 | (1) |
|
1 (``I thought once how Theocritus had sung'') |
|
|
593 | (1) |
|
43 (``How do I love thee? Let me count the ways'') |
|
|
594 | (1) |
|
|
|
594 | (3) |
|
From Book 5 [Poets and the Present Age] |
|
|
594 | (3) |
|
Henry Wadsworth Longfellow (1807--1882) |
|
|
597 | (3) |
|
|
|
597 | (1) |
|
|
|
597 | (2) |
|
From Part III: Hiawatha's Childhood |
|
|
597 | (2) |
|
|
|
599 | (1) |
|
Edward Fitzgerald (1809--1883) |
|
|
600 | (13) |
|
The Rubaiyat of Omar Khayyam of Naishapur |
|
|
600 | (13) |
|
Oliver Wendell Holmes (1809--1894) |
|
|
613 | (1) |
|
|
|
613 | (1) |
|
Edgar Allan Poe (1809--1849) |
|
|
614 | (5) |
|
|
|
614 | (1) |
|
|
|
615 | (1) |
|
|
|
615 | (3) |
|
|
|
618 | (1) |
|
Alfred, Lord Tennyson (1809--1892) |
|
|
619 | (23) |
|
|
|
619 | (2) |
|
|
|
621 | (4) |
|
|
|
625 | (4) |
|
|
|
629 | (2) |
|
|
|
631 | (1) |
|
|
|
631 | (2) |
|
|
|
631 | (1) |
|
Now Sleeps the Crimson Petal |
|
|
632 | (1) |
|
|
|
633 | (6) |
|
1 (``I held it truth, with him who sings'') |
|
|
633 | (1) |
|
2 (``Old Yew, which graspest at the stones'') |
|
|
633 | (1) |
|
7 (``Dark house, by which once more I stand'') |
|
|
634 | (1) |
|
11 (``Calm is the morn without a sound'') |
|
|
634 | (1) |
|
19 (``The Danube to the Severn gave'') |
|
|
634 | (1) |
|
50 (``Be near me when my light is low'') |
|
|
635 | (1) |
|
67 (``When on my bed the moonlight falls'') |
|
|
635 | (1) |
|
88 (``Wild bird, whose warble, liquid sweet'') |
|
|
636 | (1) |
|
95 (``By night we lingered on the lawn'') |
|
|
636 | (2) |
|
119 (``Doors, where my heart was used to beat'') |
|
|
638 | (1) |
|
121 (``Sad Hesper o'er the buried sun'') |
|
|
638 | (1) |
|
130 (``Thy voice is on the rolling air'') |
|
|
639 | (1) |
|
|
|
639 | (1) |
|
|
|
639 | (2) |
|
|
|
641 | (1) |
|
Robert Browning (1812--1889) |
|
|
642 | (24) |
|
|
|
642 | (1) |
|
|
|
643 | (1) |
|
The Bishop Orders His Tomb at Saint Praxed's Church |
|
|
644 | (3) |
|
Home-Thoughts, from Abroad |
|
|
647 | (1) |
|
|
|
648 | (2) |
|
``Childe Roland to the Dark Tower Came'' |
|
|
650 | (6) |
|
|
|
656 | (8) |
|
|
|
664 | (2) |
|
|
|
666 | (2) |
|
There Was an Old Man with a Beard |
|
|
666 | (1) |
|
The Owl and the Pussy-Cat |
|
|
666 | (1) |
|
How Pleasant to Know Mr. Lear |
|
|
667 | (1) |
|
Emily Bronte (1818--1848) |
|
|
668 | (3) |
|
|
|
668 | (1) |
|
|
|
669 | (2) |
|
|
|
671 | (1) |
|
Arthur Hugh Clough (1819--1861) |
|
|
671 | (2) |
|
|
|
671 | (1) |
|
Say Not the Struggle Nought Availeth |
|
|
672 | (1) |
|
Julia Ward Howe (1819--1910) |
|
|
673 | (1) |
|
Battle-Hymn of the Republic |
|
|
673 | (1) |
|
Herman Melville (1819--1891) |
|
|
673 | (6) |
|
|
|
673 | (1) |
|
|
|
674 | (1) |
|
|
|
674 | (1) |
|
|
|
675 | (1) |
|
|
|
676 | (1) |
|
|
|
676 | (1) |
|
|
|
676 | (1) |
|
|
|
677 | (2) |
|
Walt Whitman (1819--1892) |
|
|
679 | (25) |
|
|
|
679 | (5) |
|
1 (``I celebrate myself, and sing myself'') |
|
|
679 | (1) |
|
5 (``I believe in you my soul, the other I am must not abase itself to you'') |
|
|
679 | (1) |
|
6 (``A child said What is the grass? fetching it to me with full hands'') |
|
|
680 | (1) |
|
11 (``Twenty-eight young men bathe by the shore'') |
|
|
681 | (1) |
|
24 (``Walt Whitman, a kosmos, of Manhattan the son'') |
|
|
682 | (1) |
|
52 (``The spotted hawk swoops by and accuses me'') |
|
|
683 | (1) |
|
|
|
684 | (5) |
|
When I Heard the Learn'd Astronomer |
|
|
689 | (1) |
|
Vigil Strange I Kept on the Field One Night |
|
|
689 | (1) |
|
|
|
690 | (1) |
|
|
|
691 | (1) |
|
Out of the Cradle Endlessly Rocking |
|
|
691 | (5) |
|
When Lilacs Last in the Dooryard Bloom'd |
|
|
696 | (6) |
|
A Noiseless Patient Spider |
|
|
702 | (1) |
|
To a Locomotive in Winter |
|
|
703 | (1) |
|
Matthew Arnold (1822--1888) |
|
|
704 | (8) |
|
|
|
704 | (1) |
|
|
|
704 | (1) |
|
|
|
705 | (6) |
|
|
|
711 | (1) |
|
Dante Gabriel Rossetti (1828--1882) |
|
|
712 | (4) |
|
|
|
712 | (3) |
|
|
|
715 | (1) |
|
|
|
715 | (1) |
|
George Meredith (1828--1909) |
|
|
716 | (3) |
|
|
|
716 | (2) |
|
1 (``By this he knew she wept with waking eyes'') |
|
|
716 | (1) |
|
17 (``At dinner, she is hostess, I am host'') |
|
|
716 | (1) |
|
30 (``What are we first? First, animals; and next'') |
|
|
717 | (1) |
|
48 (``Their sense is with their senses all mixed in'') |
|
|
717 | (1) |
|
49 (``He found her by the ocean's moaning verge'') |
|
|
717 | (1) |
|
50 (``Thus piteously Love closed what he begat'') |
|
|
718 | (1) |
|
|
|
718 | (1) |
|
Emily Dickinson (1830--1886) |
|
|
719 | (14) |
|
39 (49) (``I never lost as much but twice -'') |
|
|
719 | (1) |
|
68 (89) (Some things that fly there be -'') |
|
|
719 | (1) |
|
112 (67) (``Success is counted sweetest'') |
|
|
719 | (1) |
|
124 (216) (``Safe in their Alabaster Chambers -'') (1859) |
|
|
720 | (1) |
|
124 (216) (``Safe in their Alabaster Chambers -'') (1862) |
|
|
720 | (1) |
|
145 (59) (``A little East of Jordan'') |
|
|
721 | (1) |
|
202 (185) (`` `Faith' is a fine invention'') |
|
|
721 | (1) |
|
260 (288) (``I'm nobody! Who are you?'') |
|
|
722 | (1) |
|
269 (249) (``Wild nights - Wild nights!'') |
|
|
722 | (1) |
|
314 (254) (`` `Hope' is the thing with feathers -'') |
|
|
722 | (1) |
|
320 (258) (``There's a certain Slant of light'') |
|
|
723 | (1) |
|
339 (241) (``I like a look of Agony'') |
|
|
723 | (1) |
|
340 (280) (``I felt a Funeral, in my Brain'') |
|
|
723 | (1) |
|
359 (328) (``A Bird, came down the Walk -'') |
|
|
724 | (1) |
|
372 (341) (``After great pain, a formal feeling comes -'') |
|
|
725 | (1) |
|
409 (303) (``The Soul selects her own Society -'') |
|
|
725 | (1) |
|
445 (613) (``They shut me up in Prose -'') |
|
|
725 | (1) |
|
479 (712) (``Because I could not stop for Death -'') |
|
|
726 | (1) |
|
533 (569) (``I reckon - When I count at all -'') |
|
|
727 | (1) |
|
591 (465) (``I heard a Fly buzz - when I died -'') |
|
|
727 | (1) |
|
620 (435) (``Much Madness is divinest Sense -'') |
|
|
728 | (1) |
|
740 (789) (``On a Columnar Self -'') |
|
|
728 | (1) |
|
764 (754) (``My Life had stood - a Loaded Gun -'') |
|
|
728 | (1) |
|
782 (745) (``Renunciation - is a piercing Virtue -'') |
|
|
729 | (1) |
|
788 (709) (``Publication - is the Auction'') |
|
|
730 | (1) |
|
905 (861) (``Split the Lark - and you'll find the Music -'') |
|
|
730 | (1) |
|
1096 (986) (``A narrow Fellow in the Grass'') |
|
|
730 | (1) |
|
1108 (1078) (``The Bustle in a House'') |
|
|
731 | (1) |
|
1263 (1129) (``Tell all the Truth but tell it slant -'') |
|
|
731 | (1) |
|
1489 (1463) (``A Route of Evanescence'') |
|
|
732 | (1) |
|
1793 (1732) (``My life closed twice before it's close'') |
|
|
732 | (1) |
|
1788 (1763) (``Fame is a bee'') |
|
|
732 | (1) |
|
Christina Rossetti (1830--1894) |
|
|
733 | (3) |
|
Song (``When I am dead, my dearest'') |
|
|
733 | (1) |
|
|
|
733 | (1) |
|
|
|
733 | (1) |
|
|
|
734 | (1) |
|
|
|
734 | (1) |
|
Passing Away, Saith the World, Passing Away |
|
|
735 | (1) |
|
Lewis Carroll (Charles Lutwidge Dodgson) (1832--1898) |
|
|
736 | (2) |
|
|
|
736 | (1) |
|
[Humpty Dumpty's Explication of Jabberwocky] |
|
|
737 | (1) |
|
W. S. Gilbert (1836--1911) |
|
|
738 | (2) |
|
I Am the Very Model of a Modern Major-General |
|
|
738 | (2) |
|
|
|
740 | (1) |
|
Algernon Charles Swinburne (1837--1909) |
|
|
740 | (4) |
|
Chorus from Atalanta in Calydon |
|
|
740 | (2) |
|
When the Hounds of Spring Are on Winter's Traces |
|
|
740 | (2) |
|
|
|
742 | (2) |
|
Thomas Hardy (1840--1928) |
|
|
744 | (8) |
|
|
|
744 | (1) |
|
|
|
744 | (1) |
|
|
|
745 | (1) |
|
|
|
745 | (1) |
|
|
|
746 | (1) |
|
|
|
747 | (1) |
|
The Convergence of the Twain |
|
|
748 | (1) |
|
|
|
749 | (1) |
|
|
|
750 | (1) |
|
|
|
751 | (1) |
|
In Time of ``The Breaking of Nations'' |
|
|
751 | (1) |
|
Sidney Lanier (1842--1881) |
|
|
752 | (3) |
|
|
|
752 | (3) |
|
Gerard Manley Hopkins (1844--1889) |
|
|
755 | (5) |
|
|
|
755 | (1) |
|
|
|
755 | (1) |
|
|
|
756 | (1) |
|
[As Kingfishers Catch Fire, Dragonflies Draw Flame] |
|
|
756 | (1) |
|
|
|
757 | (1) |
|
|
|
757 | (1) |
|
|
|
758 | (1) |
|
[No Worst, There Is None. Pitched Past Pitch of Grief] |
|
|
758 | (1) |
|
[My Own Heart Let Me More Have Pity On] |
|
|
759 | (1) |
|
[Thou Art Indeed Just, Lord . . .] |
|
|
759 | (1) |
|
A. E. Housman (1859--1936) |
|
|
760 | (5) |
|
Loveliest of Trees, the Cherry Now |
|
|
760 | (1) |
|
To an Athlete Dying Young |
|
|
760 | (1) |
|
|
|
761 | (1) |
|
With Rue My Heart Is Laden |
|
|
762 | (1) |
|
``Terence, This Is Stupid Stuff . . .'' |
|
|
762 | (2) |
|
Epitaph on an Army of Mercenaries |
|
|
764 | (1) |
|
Crossing Alone the Nighted Ferry |
|
|
764 | (1) |
|
Here Dead Lie We Because We Did Not Choose |
|
|
765 | (1) |
|
Rudyard Kipling (1865--1936) |
|
|
765 | (2) |
|
|
|
765 | (1) |
|
|
|
766 | (1) |
|
William Butler Yeats (1865--1939) |
|
|
767 | (20) |
|
|
|
767 | (1) |
|
The Lake Isle of Innisfree |
|
|
768 | (1) |
|
|
|
769 | (1) |
|
|
|
769 | (1) |
|
|
|
770 | (1) |
|
|
|
771 | (1) |
|
|
|
772 | (2) |
|
|
|
774 | (1) |
|
|
|
774 | (2) |
|
|
|
776 | (1) |
|
|
|
776 | (2) |
|
|
|
778 | (2) |
|
Crazy Jane Talks with the Bishop |
|
|
780 | (1) |
|
|
|
780 | (2) |
|
|
|
782 | (1) |
|
The Circus Animals' Desertion |
|
|
782 | (2) |
|
|
|
784 | (3) |
|
Edwin Arlington Robinson (1869--1935) |
|
|
787 | (3) |
|
|
|
787 | (1) |
|
|
|
787 | (1) |
|
|
|
788 | (1) |
|
|
|
788 | (1) |
|
|
|
789 | (1) |
|
Charlotte Mew (1869--1928) |
|
|
790 | (2) |
|
|
|
790 | (2) |
|
Stephen Crane (1871--1900) |
|
|
792 | (2) |
|
From The Black Riders and Other Lines |
|
|
792 | (1) |
|
I (``Black Riders Came from the Sea'') |
|
|
792 | (1) |
|
|
|
792 | (1) |
|
XXV (``Behold, the Grave of a Wicked Man'') |
|
|
792 | (1) |
|
LVI (``A Man Feared That He Might Find an Assassin'') |
|
|
793 | (1) |
|
|
|
793 | (1) |
|
[A Man Adrift on a Slim Spar] |
|
|
793 | (1) |
|
Paul Laurence Dunbar (1872--1906) |
|
|
794 | (1) |
|
|
|
794 | (1) |
|
|
|
795 | (1) |
|
Robert Frost (1874--1963) |
|
|
795 | (15) |
|
|
|
795 | (1) |
|
|
|
796 | (3) |
|
|
|
799 | (1) |
|
|
|
800 | (1) |
|
|
|
801 | (1) |
|
|
|
801 | (1) |
|
|
|
802 | (1) |
|
Stopping by Woods on a Snowy Evening |
|
|
803 | (1) |
|
Acquainted with the Night |
|
|
804 | (1) |
|
Neither Out Far Nor In Deep |
|
|
804 | (1) |
|
|
|
805 | (1) |
|
|
|
805 | (1) |
|
|
|
806 | (1) |
|
|
|
806 | (1) |
|
Never Again Would Birds' Song Be the Same |
|
|
807 | (1) |
|
|
|
807 | (1) |
|
|
|
808 | (1) |
|
|
|
808 | (2) |
|
|
|
810 | (3) |
|
|
|
810 | (2) |
|
The Weather-Cock Points South |
|
|
812 | (1) |
|
Gertrude Stein (1874--1946) |
|
|
813 | (1) |
|
|
|
813 | (1) |
|
Part I, Stanza XIII (``She may count three little daisies very well'') |
|
|
813 | (1) |
|
Part III, Stanza II (``I think very well of Susan but I do not know her name'') |
|
|
813 | (1) |
|
Part III, Stanza V (``It is not a range of a mountain'') |
|
|
814 | (1) |
|
Part V, Stanza XXXVIII (``Which I wish to say is this'') |
|
|
814 | (1) |
|
Part V, Stanza LXIII (``I wish that I had spoken only of it all.'') |
|
|
814 | (1) |
|
Edward Thomas (1878--1917) |
|
|
814 | (2) |
|
In Memoriam [Easter 1915] |
|
|
814 | (1) |
|
|
|
815 | (1) |
|
Wallace Stevens (1879--1955) |
|
|
816 | (11) |
|
|
|
816 | (1) |
|
|
|
816 | (1) |
|
|
|
817 | (3) |
|
|
|
820 | (1) |
|
Thirteen Ways of Looking at a Blackbird |
|
|
820 | (2) |
|
Peter Quince at the Clavier |
|
|
822 | (2) |
|
The Idea of Order at Key West |
|
|
824 | (1) |
|
Waving Adieu, Adieu, Adieu |
|
|
825 | (1) |
|
|
|
826 | (1) |
|
|
|
827 | (1) |
|
Come Not the Seasons Here |
|
|
827 | (1) |
|
|
|
827 | (1) |
|
William Carlos Williams (1883--1963) |
|
|
828 | (10) |
|
|
|
828 | (1) |
|
|
|
829 | (1) |
|
|
|
829 | (1) |
|
|
|
830 | (1) |
|
|
|
830 | (1) |
|
|
|
831 | (1) |
|
Asphodel, That Greeny Flower |
|
|
831 | (7) |
|
|
|
831 | (7) |
|
|
|
838 | (1) |
|
Landscape with the Fall of Icarus |
|
|
838 | (1) |
|
D. H. Lawrence (1885--1930) |
|
|
838 | (6) |
|
|
|
838 | (2) |
|
|
|
840 | (1) |
|
|
|
840 | (3) |
|
|
|
843 | (1) |
|
|
|
843 | (1) |
|
|
|
844 | (7) |
|
|
|
844 | (1) |
|
|
|
845 | (1) |
|
|
|
845 | (1) |
|
|
|
846 | (1) |
|
In a Station of the Metro |
|
|
846 | (1) |
|
The River-Merchant's Wife: a Letter |
|
|
846 | (1) |
|
|
|
847 | (4) |
|
I (``And then went down to the ship'') |
|
|
847 | (2) |
|
|
|
849 | (2) |
|
H. D. (Hilda Doolittle) (1886--1961) |
|
|
851 | (2) |
|
|
|
851 | (1) |
|
|
|
851 | (2) |
|
[1] (``An incident here and there'') |
|
|
851 | (2) |
|
Siegfried Sassoon (1886--1967) |
|
|
853 | (1) |
|
|
|
853 | (1) |
|
|
|
853 | (1) |
|
Robinson Jeffers (1887--1962) |
|
|
854 | (1) |
|
Shine, Perishing Republic |
|
|
854 | (1) |
|
|
|
854 | (1) |
|
Marianne Moore (1887--1972) |
|
|
855 | (7) |
|
|
|
855 | (1) |
|
|
|
856 | (1) |
|
|
|
857 | (2) |
|
|
|
859 | (1) |
|
|
|
860 | (1) |
|
The Mind Is an Enchanting Thing |
|
|
861 | (1) |
|
|
|
862 | (19) |
|
The Love Song of J. Alfred Prufrock |
|
|
862 | (4) |
|
|
|
866 | (13) |
|
|
|
879 | (2) |
|
John Crowe Ransom (1888--1974) |
|
|
881 | (2) |
|
Bells for John Whiteside's Daughter |
|
|
881 | (1) |
|
|
|
882 | (1) |
|
Parting, without a Sequel |
|
|
882 | (1) |
|
Isaac Rosenberg (1890--1918) |
|
|
883 | (1) |
|
Break of Day in the Trenches |
|
|
883 | (1) |
|
Hugh MacDiarmid (Christopher Murray Grieve) (1892--1978) |
|
|
884 | (1) |
|
Another Epitaph on an Army of Mercenaries |
|
|
884 | (1) |
|
From In Memoriam James Joyce |
|
|
884 | (1) |
|
Archibald MacLeish (1892--1982) |
|
|
885 | (2) |
|
|
|
885 | (1) |
|
The Snowflake Which Is Now and Hence Forever |
|
|
886 | (1) |
|
Edna St. Vincent Millay (1892--1950) |
|
|
887 | (2) |
|
|
|
887 | (1) |
|
Euclid Alone Has Looked on Beauty Bare |
|
|
887 | (1) |
|
[I, Being Born a Woman and Distressed] |
|
|
887 | (1) |
|
|
|
888 | (1) |
|
I Dreamed I Moved among the Elysian Fields |
|
|
888 | (1) |
|
|
|
889 | (1) |
|
Wilfred Owen (1893--1918) |
|
|
889 | (3) |
|
|
|
889 | (1) |
|
|
|
890 | (1) |
|
|
|
891 | (1) |
|
|
|
892 | (1) |
|
E. E. Cummings (1894--1962) |
|
|
892 | (6) |
|
All in green went my love riding |
|
|
892 | (1) |
|
Spring is like a perhaps hand |
|
|
893 | (1) |
|
``next to of course god america i |
|
|
894 | (1) |
|
|
|
894 | (1) |
|
somewhere I have never travelled, gladly beyond |
|
|
895 | (1) |
|
|
|
895 | (1) |
|
anyone lived in a pretty how town |
|
|
896 | (1) |
|
|
|
897 | (1) |
|
|
|
898 | (1) |
|
|
|
898 | (1) |
|
|
|
898 | (1) |
|
|
|
898 | (1) |
|
Robert Graves (1895--1985) |
|
|
899 | (2) |
|
|
|
899 | (1) |
|
|
|
899 | (1) |
|
|
|
900 | (1) |
|
Louise Bogan (1897--1970) |
|
|
901 | (2) |
|
|
|
901 | (1) |
|
|
|
901 | (1) |
|
|
|
902 | (1) |
|
|
|
903 | (1) |
|
|
|
903 | (6) |
|
|
|
903 | (4) |
|
|
|
907 | (1) |
|
Proem: To Brooklyn Bridge |
|
|
907 | (1) |
|
|
|
908 | (1) |
|
Laura (Riding) Jackson (1901--1991) |
|
|
909 | (1) |
|
|
|
909 | (1) |
|
|
|
910 | (1) |
|
Sterling A. Brown (1901--1989) |
|
|
910 | (2) |
|
|
|
910 | (2) |
|
|
|
912 | (1) |
|
Langston Hughes (1902--1967) |
|
|
912 | (5) |
|
|
|
912 | (1) |
|
The Negro Speaks of Rivers |
|
|
913 | (1) |
|
|
|
914 | (1) |
|
|
|
914 | (1) |
|
|
|
914 | (1) |
|
|
|
915 | (1) |
|
|
|
915 | (1) |
|
|
|
916 | (1) |
|
Roy Campbell (1902--1957) |
|
|
917 | (1) |
|
|
|
917 | (1) |
|
|
|
918 | (1) |
|
Stevie Smith (1902--1971) |
|
|
918 | (2) |
|
|
|
918 | (1) |
|
|
|
919 | (1) |
|
|
|
920 | (1) |
|
Countee Cullen (1903--1946) |
|
|
920 | (4) |
|
|
|
920 | (3) |
|
|
|
923 | (1) |
|
|
|
923 | (1) |
|
Earle Birney (1904--1991) |
|
|
924 | (2) |
|
|
|
924 | (1) |
|
The Bear on the Delhi Road |
|
|
925 | (1) |
|
C. Day Lewis (1904--1972) |
|
|
926 | (1) |
|
|
|
926 | (1) |
|
(``I've heard them lilting at loom and belting'') |
|
|
926 | (1) |
|
(``Come, live with me and be my love'') |
|
|
926 | (1) |
|
|
|
927 | (1) |
|
Patrick Kavanagh (1904--1967) |
|
|
927 | (3) |
|
|
|
927 | (2) |
|
|
|
929 | (1) |
|
|
|
930 | (1) |
|
|
|
930 | (1) |
|
|
|
931 | (1) |
|
Robert Penn Warren (1905--1989) |
|
|
931 | (3) |
|
|
|
931 | (2) |
|
|
|
933 | (1) |
|
|
|
934 | (1) |
|
William Empson (1906--1984) |
|
|
934 | (2) |
|
|
|
934 | (1) |
|
|
|
935 | (1) |
|
|
|
936 | (12) |
|
Lullaby [Lay your sleeping head love] |
|
|
936 | (1) |
|
As I Walked Out One Evening |
|
|
937 | (1) |
|
|
|
938 | (1) |
|
|
|
938 | (1) |
|
|
|
939 | (1) |
|
|
|
939 | (2) |
|
|
|
941 | (3) |
|
|
|
944 | (2) |
|
|
|
946 | (2) |
|
|
|
948 | (1) |
|
|
|
948 | (1) |
|
|
|
949 | (1) |
|
Louis MacNeice (1907--1963) |
|
|
949 | (6) |
|
The Sunlight on the Garden |
|
|
949 | (1) |
|
|
|
950 | (1) |
|
From Autumn Journal (``September has come and I wake'') |
|
|
951 | (1) |
|
|
|
952 | (2) |
|
|
|
954 | (1) |
|
Theodore Roethke (1908--1963) |
|
|
955 | (3) |
|
|
|
955 | (1) |
|
|
|
955 | (1) |
|
|
|
956 | (1) |
|
|
|
956 | (1) |
|
|
|
957 | (1) |
|
Richard Wright (1908--1960) |
|
|
958 | (1) |
|
|
|
958 | (1) |
|
21 (``On winter mornings'') |
|
|
958 | (1) |
|
31 (``In the falling snow'') |
|
|
958 | (1) |
|
210 (``Crying and crying'') |
|
|
958 | (1) |
|
490 (``Waking from a nap'') |
|
|
958 | (1) |
|
762 (``Droning autumn rain'') |
|
|
958 | (1) |
|
783 (``I cannot find it'') |
|
|
958 | (1) |
|
Malcolm Lowry (1909--1957) |
|
|
959 | (1) |
|
|
|
959 | (1) |
|
|
|
959 | (1) |
|
|
|
959 | (1) |
|
Elizabeth Bishop (1911--1979) |
|
|
960 | (7) |
|
|
|
960 | (1) |
|
|
|
960 | (2) |
|
|
|
962 | (1) |
|
|
|
963 | (1) |
|
|
|
964 | (2) |
|
|
|
966 | (1) |
|
|
|
967 | (1) |
|
|
|
967 | (1) |
|
|
|
968 | (1) |
|
Robert Hayden (1913--1980) |
|
|
968 | (3) |
|
|
|
968 | (1) |
|
Night, Death, Mississippi |
|
|
969 | (1) |
|
|
|
970 | (1) |
|
Muriel Rukeyser (1913--1980) |
|
|
971 | (1) |
|
Boy with His Hair Cut Short |
|
|
971 | (1) |
|
|
|
971 | (1) |
|
|
|
972 | (1) |
|
|
|
972 | (2) |
|
|
|
972 | (1) |
|
|
|
973 | (1) |
|
R. S. Thomas (1913--2000) |
|
|
974 | (1) |
|
|
|
974 | (1) |
|
|
|
975 | (1) |
|
John Berryman (1914--1972) |
|
|
975 | (5) |
|
Homage to Mistress Bradstreet |
|
|
975 | (2) |
|
|
|
975 | (2) |
|
|
|
977 | (1) |
|
|
|
977 | (3) |
|
1 (``Huffy Henry hid the day'') |
|
|
977 | (1) |
|
14 (``Life, friends, is boring. We must not say so'') |
|
|
978 | (1) |
|
29 (``There sat down, once, a thing on Henry's heart'') |
|
|
978 | (1) |
|
145 (``Also I love him: me he's done no wrong'') |
|
|
979 | (1) |
|
324. An Elegy for W.C.W., The Lovely Man |
|
|
979 | (1) |
|
382 (``At Henry's bier let some thing fall out well:'') |
|
|
980 | (1) |
|
Randall Jarrell (1914--1965) |
|
|
980 | (4) |
|
|
|
980 | (1) |
|
The Death of the Ball Turret Gunner |
|
|
981 | (1) |
|
|
|
981 | (1) |
|
|
|
982 | (2) |
|
|
|
984 | (1) |
|
|
|
984 | (1) |
|
|
|
984 | (1) |
|
|
|
984 | (1) |
|
|
|
985 | (1) |
|
|
|
985 | (1) |
|
|
|
985 | (1) |
|
Dylan Thomas (1914--1953) |
|
|
986 | (6) |
|
The Force That Through the Green Fuse Drives the Flower |
|
|
986 | (1) |
|
The Hand That Signed the Paper |
|
|
987 | (1) |
|
|
|
987 | (1) |
|
A Refusal to Mourn the Death, by Fire, of a Child in London |
|
|
988 | (1) |
|
|
|
989 | (1) |
|
In My Craft or Sullen Art |
|
|
990 | (1) |
|
Do Not Go Gentle into That Good Night |
|
|
991 | (1) |
|
Judith Wright (1915--2000) |
|
|
992 | (2) |
|
|
|
992 | (1) |
|
|
|
992 | (2) |
|
David Gascoyne (1916--2001) |
|
|
994 | (2) |
|
|
|
994 | (2) |
|
|
|
996 | (2) |
|
|
|
996 | (1) |
|
Deaf-Mute in the Pear Tree |
|
|
997 | (1) |
|
Gwendolyn Brooks (1917--2000) |
|
|
998 | (3) |
|
|
|
998 | (1) |
|
the birth in a narrow room |
|
|
998 | (1) |
|
|
|
999 | (1) |
|
|
|
999 | (1) |
|
|
|
1000 | (1) |
|
|
|
1000 | (1) |
|
Robert Lowell (1917--1977) |
|
|
1001 | (9) |
|
Mr. Edwards and the Spider |
|
|
1001 | (2) |
|
My Last Afternoon with Uncle Devereux Winslow |
|
|
1003 | (3) |
|
|
|
1006 | (1) |
|
|
|
1007 | (2) |
|
|
|
1009 | (1) |
|
Amy Clampitt (1920--1994) |
|
|
1010 | (2) |
|
|
|
1010 | (1) |
|
The Cormorant in Its Element |
|
|
1011 | (1) |
|
|
|
1011 | (1) |
|
Keith Douglas (1920--1944) |
|
|
1012 | (2) |
|
|
|
1012 | (1) |
|
|
|
1013 | (1) |
|
Howard Nemerov (1920--1991) |
|
|
1014 | (3) |
|
|
|
1014 | (1) |
|
A Primer of the Daily Round |
|
|
1015 | (1) |
|
|
|
1015 | (1) |
|
Boy with Book of Knowledge |
|
|
1016 | (1) |
|
Strange Metamorphosis of Poets |
|
|
1017 | (1) |
|
|
|
1017 | (3) |
|
|
|
1017 | (3) |
|
|
|
1020 | (6) |
|
|
|
1020 | (1) |
|
Love Calls Us to the Things of This World |
|
|
1021 | (1) |
|
|
|
1022 | (1) |
|
|
|
1023 | (1) |
|
|
|
1024 | (1) |
|
|
|
1025 | (1) |
|
Philip Larkin (1922--1985) |
|
|
1026 | (8) |
|
|
|
1026 | (1) |
|
|
|
1027 | (1) |
|
|
|
1027 | (2) |
|
|
|
1029 | (1) |
|
|
|
1030 | (1) |
|
|
|
1031 | (1) |
|
|
|
1031 | (1) |
|
|
|
1032 | (1) |
|
|
|
1032 | (1) |
|
|
|
1033 | (1) |
|
James Dickey (1923--1997) |
|
|
1034 | (2) |
|
|
|
1034 | (1) |
|
Sled Burial, Dream Ceremony |
|
|
1035 | (1) |
|
Anthony Hecht (1923--2004) |
|
|
1036 | (7) |
|
|
|
1036 | (1) |
|
|
|
1037 | (1) |
|
|
|
1038 | (3) |
|
|
|
1041 | (1) |
|
|
|
1042 | (1) |
|
|
|
1043 | (1) |
|
Denise Levertov (1923--1997) |
|
|
1043 | (3) |
|
|
|
1043 | (1) |
|
|
|
1044 | (1) |
|
|
|
1045 | (1) |
|
Donald Justice (1925--2004) |
|
|
1046 | (2) |
|
|
|
1046 | (1) |
|
|
|
1046 | (1) |
|
Pantoum of the Great Depression |
|
|
1047 | (1) |
|
|
|
1048 | (4) |
|
The Erotic Philosophers (Part Five of ``Pro Femina'') |
|
|
1048 | (4) |
|
Kenneth Koch (1925--2002) |
|
|
1052 | (2) |
|
|
|
1052 | (1) |
|
Variations on a Theme by William Carlos Williams |
|
|
1053 | (1) |
|
|
|
1053 | (1) |
|
A. R. Ammons (1926--2001) |
|
|
1054 | (4) |
|
|
|
1054 | (3) |
|
|
|
1057 | (1) |
|
|
|
1058 | (1) |
|
James K. Baxter (1926--1972) |
|
|
1058 | (1) |
|
|
|
1058 | (1) |
|
|
|
1059 | (2) |
|
|
|
1059 | (1) |
|
|
|
1060 | (1) |
|
|
|
1060 | (1) |
|
Allen Ginsberg (1926--1997) |
|
|
1061 | (7) |
|
|
|
1061 | (6) |
|
|
|
1061 | (6) |
|
A Supermarket in California |
|
|
1067 | (1) |
|
James Merrill (1926--1995) |
|
|
1068 | (7) |
|
|
|
1068 | (3) |
|
|
|
1071 | (1) |
|
|
|
1072 | (2) |
|
C. (``Correct but cautious, that first night, we asked'') |
|
|
1072 | (2) |
|
|
|
1074 | (1) |
|
Frank O'Hara (1926--1966) |
|
|
1075 | (2) |
|
|
|
1075 | (1) |
|
|
|
1076 | (1) |
|
W. D. Snodgrass (b. 1926) |
|
|
1077 | (3) |
|
|
|
1077 | (2) |
|
2 (``Late April and you are three; today'') |
|
|
1077 | (1) |
|
3 (``The child between them on the street'') |
|
|
1077 | (1) |
|
7 (``Here in the scuffled dust'') |
|
|
1078 | (1) |
|
10 (``The vicious winter finally yields'') |
|
|
1078 | (1) |
|
|
|
1079 | (1) |
|
|
|
1080 | (4) |
|
|
|
1080 | (1) |
|
|
|
1081 | (2) |
|
|
|
1083 | (1) |
|
|
|
1083 | (1) |
|
|
|
1084 | (2) |
|
The Correspondence School Instructor Says Goodbye to His Poetry Students |
|
|
1084 | (1) |
|
After Making Love We Hear Footsteps |
|
|
1085 | (1) |
|
|
|
1086 | (2) |
|
|
|
1086 | (1) |
|
|
|
1086 | (1) |
|
|
|
1087 | (1) |
|
|
|
1088 | (1) |
|
Charles Tomlinson (b. 1927) |
|
|
1088 | (1) |
|
|
|
1088 | (1) |
|
James Wright (1927--1980) |
|
|
1089 | (2) |
|
A Note Left in Jimmy Leonard's Shack |
|
|
1089 | (1) |
|
|
|
1090 | (1) |
|
|
|
1091 | (3) |
|
|
|
1091 | (3) |
|
|
|
1091 | (3) |
|
|
|
1094 | (1) |
|
|
|
1094 | (2) |
|
|
|
1094 | (2) |
|
|
|
1096 | (1) |
|
|
|
1096 | (3) |
|
|
|
1096 | (1) |
|
|
|
1097 | (2) |
|
L. E. Sissman (1928--1976) |
|
|
1099 | (1) |
|
|
|
1099 | (1) |
|
|
|
1099 | (1) |
|
|
|
1099 | (1) |
|
|
|
1100 | (4) |
|
|
|
1100 | (1) |
|
|
|
1101 | (1) |
|
|
|
1102 | (1) |
|
|
|
1103 | (1) |
|
|
|
1104 | (1) |
|
|
|
1104 | (1) |
|
|
|
1105 | (1) |
|
|
|
1105 | (6) |
|
Nikolaus Mardruz to his Master Ferdinand, Count of Tyrol, 1565 |
|
|
1105 | (6) |
|
|
|
1111 | (3) |
|
|
|
1111 | (1) |
|
|
|
1112 | (2) |
|
|
|
1114 | (8) |
|
|
|
1114 | (1) |
|
Snapshots of a Daughter-in-Law |
|
|
1115 | (4) |
|
|
|
1119 | (2) |
|
|
|
1121 | (1) |
|
Edward Kamau Brathwaite (b. 1930) |
|
|
1122 | (2) |
|
The Arrivants: A New World Trilogy |
|
|
1122 | (2) |
|
|
|
1122 | (1) |
|
1 (``Every Friday morning my grandfather'') |
|
|
1122 | (1) |
|
2 (``All I can remember of his wife'') |
|
|
1123 | (1) |
|
|
|
1123 | (1) |
|
|
|
1124 | (5) |
|
|
|
1124 | (1) |
|
|
|
1125 | (1) |
|
Examination at the Womb-Door |
|
|
1126 | (1) |
|
|
|
1127 | (1) |
|
|
|
1128 | (1) |
|
|
|
1129 | (3) |
|
|
|
1129 | (1) |
|
|
|
1130 | (2) |
|
|
|
1132 | (1) |
|
|
|
1132 | (6) |
|
|
|
1132 | (1) |
|
|
|
1133 | (2) |
|
|
|
1135 | (1) |
|
|
|
1136 | (2) |
|
|
|
1136 | (2) |
|
|
|
1138 | (1) |
|
|
|
1138 | (1) |
|
|
|
1139 | (1) |
|
|
|
1139 | (1) |
|
|
|
1139 | (1) |
|
|
|
1140 | (3) |
|
|
|
1140 | (1) |
|
|
|
1141 | (1) |
|
VI (``The princes of Mercia were badger and raven. Thrall'') |
|
|
1141 | (1) |
|
VII (``Gasholders, russet among fields. Milldams, marlpools'') |
|
|
1141 | (1) |
|
VIII (``The mad are predators. Too often lately they harbour'') |
|
|
1142 | (1) |
|
|
|
1142 | (1) |
|
|
|
1142 | (1) |
|
An Apology for the Revival of Christian Architecture in England |
|
|
1143 | (1) |
|
|
|
1143 | (1) |
|
Sylvia Plath (1932--1963) |
|
|
1143 | (8) |
|
|
|
1143 | (2) |
|
|
|
1145 | (2) |
|
|
|
1147 | (1) |
|
|
|
1148 | (3) |
|
|
|
1151 | (3) |
|
|
|
1151 | (1) |
|
Popular Ballads of the Twentieth Century |
|
|
1152 | (1) |
|
Pete Seeger (b. 1919) Where Have All the Flowers Gone? |
|
|
1152 | (1) |
|
Bob Dylan (b. 1941) Boots of Spanish Leather |
|
|
1153 | (1) |
|
Amiri Baraka (Leroi Jones) (b. 1934) |
|
|
1154 | (2) |
|
|
|
1154 | (1) |
|
|
|
1155 | (1) |
|
|
|
1156 | (2) |
|
|
|
1156 | (1) |
|
From the House of Yemanja |
|
|
1157 | (1) |
|
N. Scott Momaday (b. 1934) |
|
|
1158 | (1) |
|
|
|
1158 | (1) |
|
|
|
1158 | (1) |
|
|
|
1159 | (1) |
|
|
|
1159 | (1) |
|
|
|
1159 | (1) |
|
|
|
1159 | (1) |
|
|
|
1160 | (2) |
|
|
|
1160 | (1) |
|
|
|
1160 | (1) |
|
|
|
1161 | (1) |
|
XVI (``It is true, as someone has said, that in'') |
|
|
1161 | (1) |
|
|
|
1162 | (3) |
|
|
|
1162 | (1) |
|
As Our Bodies Rise, Our Names Turn into Light |
|
|
1163 | (1) |
|
|
|
1164 | (1) |
|
|
|
1165 | (1) |
|
|
|
1165 | (1) |
|
|
|
1165 | (1) |
|
|
|
1166 | (2) |
|
|
|
1166 | (1) |
|
|
|
1166 | (2) |
|
|
|
1168 | (3) |
|
|
|
1168 | (1) |
|
|
|
1168 | (3) |
|
|
|
1171 | (3) |
|
|
|
1171 | (3) |
|
|
|
1174 | (1) |
|
|
|
1174 | (2) |
|
|
|
1174 | (1) |
|
|
|
1175 | (1) |
|
|
|
1176 | (1) |
|
Margaret Atwood (b. 1939) |
|
|
1176 | (3) |
|
At the Tourist Center in Boston |
|
|
1176 | (2) |
|
|
|
1178 | (1) |
|
|
|
1179 | (8) |
|
|
|
1179 | (1) |
|
|
|
1180 | (2) |
|
|
|
1182 | (1) |
|
|
|
1182 | (1) |
|
|
|
1183 | (2) |
|
|
|
1185 | (1) |
|
|
|
1186 | (1) |
|
|
|
1187 | (1) |
|
|
|
1187 | (3) |
|
|
|
1187 | (1) |
|
|
|
1188 | (1) |
|
|
|
1189 | (1) |
|
|
|
1190 | (2) |
|
|
|
1190 | (1) |
|
|
|
1191 | (1) |
|
|
|
1192 | (2) |
|
|
|
1192 | (1) |
|
|
|
1193 | (1) |
|
|
|
1194 | (2) |
|
A Disused Shed in Co. Wexford |
|
|
1194 | (2) |
|
|
|
1196 | (1) |
|
|
|
1196 | (2) |
|
|
|
1196 | (1) |
|
|
|
1197 | (1) |
|
|
|
1197 | (1) |
|
|
|
1198 | (1) |
|
Navidad, St. Nicholas Ave. |
|
|
1198 | (1) |
|
|
|
1199 | (1) |
|
|
|
1199 | (2) |
|
|
|
1199 | (1) |
|
|
|
1200 | (1) |
|
Michael Ondaatje (b. 1943) |
|
|
1201 | (3) |
|
|
|
1201 | (2) |
|
|
|
1203 | (1) |
|
|
|
1204 | (2) |
|
|
|
1204 | (1) |
|
|
|
1205 | (1) |
|
|
|
1206 | (1) |
|
That the Science of Cartography Is Limited |
|
|
1206 | (1) |
|
|
|
1207 | (2) |
|
A Martian Sends a Postcard Home |
|
|
1207 | (2) |
|
Yusef Komunyakaa (b. 1947) |
|
|
1209 | (2) |
|
|
|
1209 | (1) |
|
|
|
1209 | (1) |
|
|
|
1210 | (1) |
|
|
|
1211 | (2) |
|
Courtney, Mentioned in Passing, Years After |
|
|
1211 | (1) |
|
|
|
1212 | (1) |
|
Agha Shahid Ali (1949--2001) |
|
|
1213 | (1) |
|
|
|
1213 | (1) |
|
|
|
1214 | (3) |
|
|
|
1214 | (2) |
|
|
|
1216 | (1) |
|
Charles Bernstein (b. 1950) |
|
|
1217 | (2) |
|
|
|
1217 | (1) |
|
why we ask you not to touch |
|
|
1218 | (1) |
|
this poem intentionally left blank |
|
|
1219 | (1) |
|
|
|
1219 | (3) |
|
|
|
1219 | (1) |
|
|
|
1219 | (1) |
|
The Beauty of the Husband |
|
|
1220 | (2) |
|
|
|
1220 | (2) |
|
|
|
1222 | (1) |
|
|
|
1222 | (1) |
|
|
|
1222 | (1) |
|
|
|
1223 | (3) |
|
At Luca Signorelli's Resurrection of the Body |
|
|
1223 | (3) |
|
|
|
1226 | (1) |
|
|
|
1226 | (5) |
|
|
|
1226 | (1) |
|
|
|
1227 | (4) |
|
|
|
1231 | (3) |
|
|
|
1231 | (2) |
|
|
|
1233 | (1) |
|
|
|
1234 | (2) |
|
|
|
1234 | (1) |
|
|
|
1235 | (1) |
|
|
|
1236 | (2) |
|
|
|
1236 | (2) |
|
|
|
1238 | (2) |
|
|
|
1238 | (1) |
|
|
|
1239 | (1) |
|
Gjertrud Schnackenberg (b. 1953) |
|
|
1240 | (1) |
|
|
|
1240 | (1) |
|
|
|
1241 | (1) |
|
I Was Sleeping Where the Black Oaks Move |
|
|
1241 | (1) |
|
|
|
1242 | (1) |
|
Carol Ann Duffy (b. 1955) |
|
|
1242 | (1) |
|
|
|
1242 | (1) |
|
|
|
1243 | (3) |
|
|
|
1243 | (2) |
|
|
|
1245 | (1) |
|
|
|
1246 | (1) |
|
|
|
1246 | (1) |
|
|
|
1247 | (1) |
|
|
|
1247 | (2) |
|
|
|
1247 | (2) |
|
Greg Williamson (b. 1964) |
|
|
1249 | (2) |
|
|
|
1249 | (1) |
|
III. Visiting Couple Kissing and Halved Onion |
|
|
1249 | (1) |
|
XXV. Group Photo with Winter Trees |
|
|
1249 | (1) |
|
New Year's: A Short Pantoum |
|
|
1250 | (1) |
|
|
|
1251 | (26) |
|
|
|
1252 | (1) |
|
|
|
1253 | (7) |
|
|
|
1260 | (3) |
|
|
|
1263 | (12) |
|
|
|
1263 | (7) |
|
|
|
1270 | (2) |
|
|
|
1272 | (1) |
|
|
|
1272 | (2) |
|
|
|
1274 | (1) |
|
Suggestions for Further Reading |
|
|
1275 | (2) |
|
|
|
1277 | (22) |
|
|
|
1277 | (2) |
|
|
|
1279 | (5) |
|
|
|
1279 | (1) |
|
|
|
1280 | (4) |
|
|
|
1284 | (5) |
|
|
|
1284 | (1) |
|
|
|
1285 | (1) |
|
|
|
1286 | (3) |
|
The Game of Interpretation |
|
|
1289 | (7) |
|
|
|
1289 | (2) |
|
|
|
1291 | (1) |
|
|
|
1291 | (1) |
|
|
|
1292 | (1) |
|
|
|
1293 | (3) |
|
|
|
1296 | (1) |
|
Suggestions for Further Reading |
|
|
1297 | (2) |
| Biographical Sketches |
|
1299 | (51) |
| Permissions Acknowledgments |
|
1350 | (7) |
| Index |
|
1357 | |
Other versions by this Author