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Acknowledgements |
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Introduction |
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1 | (6) |
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7 | (17) |
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The metaphor as smoked glass. Three theories of metaphor |
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9 | (4) |
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A brief psychology of metaphor |
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13 | (4) |
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The metaphor as a heuristic tool |
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17 | (7) |
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Memoria: memory as writing |
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24 | (25) |
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24 | (3) |
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An inner place that is not a place |
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27 | (4) |
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The book as memory, the memory as book |
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31 | (7) |
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Ars memoriae: the palaces of memory |
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38 | (3) |
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Fludd's theatre of memory |
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41 | (3) |
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The persistence of writing |
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44 | (5) |
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The splendour of the Bologna Stone |
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49 | (19) |
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50 | (3) |
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53 | (9) |
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62 | (2) |
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64 | (4) |
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68 | (35) |
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The decline of the mechanistic approach |
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70 | (2) |
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Romanticism: the landscapes of memory |
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72 | (6) |
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Localisation: Gall, Flourens, Broca |
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78 | (5) |
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83 | (2) |
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85 | (5) |
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The brain as a conscious phonograph |
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90 | (3) |
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Hermann Ebbinghaus: the mathematisation of memory |
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93 | (10) |
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103 | (35) |
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104 | (6) |
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Photography: the chemical memory |
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110 | (9) |
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The memory as a photographic plate |
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119 | (6) |
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The pictorial statistics of memory |
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125 | (4) |
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Photographic memory: mathematical prodigies and blindfolded chess players |
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129 | (4) |
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Stationary trace, frozen image |
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133 | (5) |
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138 | (27) |
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The mechanism of behaviour |
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139 | (3) |
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142 | (9) |
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Psychology and the computer |
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151 | (1) |
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The elementary perceiver and memoriser |
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152 | (3) |
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155 | (5) |
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The computational paradox |
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160 | (5) |
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165 | (20) |
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Photographing with laser light |
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165 | (3) |
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The hologram as a metaphor |
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168 | (3) |
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171 | (1) |
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The brain as a Fourier hologram |
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172 | (1) |
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173 | (3) |
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Holography and heuristics |
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176 | (5) |
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181 | (4) |
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185 | (27) |
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185 | (5) |
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190 | (4) |
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The networks in the memory |
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194 | (1) |
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195 | (2) |
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197 | (2) |
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Neural networks, computers and holograms |
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199 | (5) |
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The line of least resistance |
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204 | (8) |
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212 | (18) |
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Who looks at the hologram? |
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217 | (1) |
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218 | (3) |
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Homunculus and the computer |
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221 | (2) |
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223 | (3) |
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226 | (4) |
Epilogue |
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230 | (4) |
Index of names |
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234 | (4) |
Index of subjects |
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238 | |