Audiences A Sociological Theory of Performance and Imaginati

by ;
Format: Paperback
Pub. Date: 1998-06-18
Publisher(s): Sage Publications
List Price: $67.20

Buy New

Usually Ships in 8 - 10 Business Days.
$64.00

Rent Textbook

Select for Price
There was a problem. Please try again later.

Rent Digital

Rent Digital Options
Online:90 Days access
Downloadable:90 Days
$45.68
Online:120 Days access
Downloadable:120 Days
$51.40
Online:180 Days access
Downloadable:180 Days
$57.11
Online:1825 Days access
Downloadable:Lifetime Access
$82.80
$57.11

Used Textbook

We're Sorry
Sold Out

How Marketplace Works:

  • This item is offered by an independent seller and not shipped from our warehouse
  • Item details like edition and cover design may differ from our description; see seller's comments before ordering.
  • Sellers much confirm and ship within two business days; otherwise, the order will be cancelled and refunded.
  • Marketplace purchases cannot be returned to eCampus.com. Contact the seller directly for inquiries; if no response within two days, contact customer service.
  • Additional shipping costs apply to Marketplace purchases. Review shipping costs at checkout.

Summary

'This book is worth reading for a number of reasons. It is the first introductory work of critical audience research that suggests how we can study the connection of media consumption in general with every day life, and it also goes beyond its competitors in showing how postmodern thinking can help us in the analysis of a "whole way of life"' - Journal of CommunicationAudiences are problematic and the study of audiences has represented a key site of activity in the social sciences and humanities. Offering a timely review of the past 50 years of theoretical and methodological debate Audiences argues the case for a paradigmatic shift in audience research.This shift, argue the authors, is necessitated by the emergence of the 'diffused audience'. Audience experience can no longer be simply classified as 'simple' or 'mass', for in modern advanced capitalist societies, people are members of an audience all the time. Being a member of an audience is no longer an exceptional event, nor even an everyday event, rather it is constitutive of everyday life. This book offers an invaluable review of the literature and a new point of departure for audience research.

Table of Contents

Acknowledgements vii
Introduction 1(2)
Changing Audiences; Changing Paradigms of Research
3(36)
Forms of the Audience
39(38)
Spectacle and Narcissism
77(22)
Imagination and Resources
99(22)
Fans and Enthusiasts
121(38)
The Spectacle/ Performance Paradigm: Methods, Issues and Theories
159(22)
References 181(10)
Index 191

An electronic version of this book is available through VitalSource.

This book is viewable on PC, Mac, iPhone, iPad, iPod Touch, and most smartphones.

By purchasing, you will be able to view this book online, as well as download it, for the chosen number of days.

Digital License

You are licensing a digital product for a set duration. Durations are set forth in the product description, with "Lifetime" typically meaning five (5) years of online access and permanent download to a supported device. All licenses are non-transferable.

More details can be found here.

A downloadable version of this book is available through the eCampus Reader or compatible Adobe readers.

Applications are available on iOS, Android, PC, Mac, and Windows Mobile platforms.

Please view the compatibility matrix prior to purchase.